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・ Jules Gauthier
・ Jules Germain Cloquet
・ Jules Germain François Maisonneuve
・ Jules Gervais-Courtellemont
・ Jules Gilliéron
・ Jules Girardet
・ Jules Girardin
・ Jules Goda
・ Jules Goldstone
・ Jules Gonin
・ Jules Gosselet
・ Jules Gouffé
・ Jules Goux
・ Jules Granier
・ Jules Gravereaux
Jules Greenbaum
・ Jules Gressier
・ Jules Gros
・ Jules Grévy
・ Jules Guesde
・ Jules Guillery
・ Jules Guyot
・ Jules Guérin
・ Jules Guérin (artist)
・ Jules Guéron
・ Jules Haime
・ Jules Halfant
・ Jules Hamidou
・ Jules Harder
・ Jules Hardouin-Mansart


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Jules Greenbaum : ウィキペディア英語版
Jules Greenbaum

Jules Greenbaum (5 January 1867 – 1 November 1924) was a German pioneering film producer. He founded the production companies Deutsche Bioscope, Deutsche Vitascope and Greenbaum-Film and was a dominant figure in German cinema in the years before the First World War. He is also known for his early experiments with sound films around twenty years before the success of ''The Jazz Singer'' made them a more established feature of cinema.
==Early career and Deutsche Bioscope==
Greenbaum was born in Berlin in 1867 as Julius Grünbaum. He married Emma Karstein in c1887 and moved to Chicago in the United States, where his first son Georg was born 1 November 1889. He originally worked in the textile industry, but on his return to Berlin in 1895 aged around 42 Greenbaum moved into the newly established film business and founded Deutsche Bioscope ((ドイツ語:Deutsche Bioskop)) in 1899. Greenbaum acquired a camera in Amsterdam, and a cameraman, Georg Furkel. Furkel worked as his technical director until 1912, along with another Dutch cameraman, Martin Knoop.
Deutsche Bioscope's first independent film was the 60-metre 1899 newsreel picture ''Spring Parade'' featuring Kaiser Wilhelm II, and his firm released more newsreels in 1901-2, importing US & French features and manufacturing cinema equipment.
Deutsche Bioscope GmbH, Berlin, was incorporated on 18 June 1902 with a capital of 20,000 marks 〔Entry in the Commercial Register 23 June 1902 .〕 The main offices were as 131d Friedrichstrasse, where the firm supplied equipment (including the American Biograph camera), and an 8-hour guaranteed film copying service.
Bioscope's cameramen were sent to Vienna, Munich, Leipzig, Halle, Nuremberg, Kiel, Hamburg, Poznan, Lviv and Riga in search of Vaudeville/variety acts to film.
;Studios at 123 Chausseestraße
Bioscope built new offices in 1906 at 123 :de:Chausseestraße, in the east of Berlin; a glasshouse studio was erected in the large courtyard at the rear of the Jugendstil building, where Continental-Kunstfilm would later film ''In Nacht und Eis'' in 1912.
;Vitascope-Theater
Greenbaum began acquiring cinemas, opening a Vitascope cinema at 10 Friedrichstrasse, and In March 1907 he registered Vitascope Theater GmbH as a limited company. Its partners were Louis Rosenfeld and Otto Heinemann. This established a vertically integrated network with Vitascope handling the distribution for Bioscope films.
;Sale of Deutsche Bioscope
As his business increased, Greenbaum made a deal with the chemist Carl Moritz Schleussner of the photochemicals firm Schleussner AG in Frankfurt/Main. Carl Schleussner had been involved since 1896 in producing negative film stock for Röntgen photography soon after its discovery.〔Eisenbach, Ulrich, (2007).[http://www.deutsche-biographie.de/ppn131435329.html ''Schleussner'' in: Neue Deutsche Biographie 23 , pp. 68-69 [Online edition] (in German).〕 In February 1908 Carl Schleussner bought Deutsche Bioscop as a manufacturing, copying and sales operation, for a 2/3 share of 140,000 marks, with 1/3 provided by Greenbaum and his brother Max. Deutsche Bioscop was re-registered on 27 February 1908, and Schleussner bought out the Greenbaums' remaining share in 1909. Under its new owner, Deutsche Bioscope moved to Babelsberg Studio in November 1911.
;Bioscope-Theater
Greenbaum registered a new cinema company, Bioscope-Theater GmbH, on 24 Feb 1908.〔This seems to have been changed to Vitascope-Theater at some point.〕 The directors were Jules' brother, Max Greenbaum (an experienced banker), and Erich Zeiske. In October 1908, Greenbaum opened the Rollkrug Vitascope cinema, a showpiece 500-seat movie theatre on Herrmannplatz, 1-2 Berliner Straße.

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